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Projection Mapping

Turn any surface into a moving canvas, run by someone who knows the software

Buildings, stages and installations — specced honestly, operated live.

Why us

Most projection mapping quotes are hardware with no operator behind it

Anyone can rent a projector. What actually determines whether a mapping job looks sharp on the night is brightness matched honestly to your surface and ambient light, edge blending that doesn't show a seam, and an operator running the show who knows the software rather than following a checklist. We run Resolume and TouchDesigner as day-to-day tools, not a one-off hire, which means when something needs adjusting live — a cue drifts, a wind gust moves the screen, the client wants the content brighter at the last minute — it gets fixed in seconds, not diagnosed from a manual.
Projection mapping content displayed on an event structure

How a project runs

Site model first, content second, hardware last

We start with your surface — a facade, a stage set, an installation — and build an accurate 3D model from site measurements and photos. Content gets built or adapted against that model, and we render a full preview so you see the mapped result before a projector is booked. Hardware and rigging get specced last, against the real brightness and throw distance the site needs — not a generic package that happens to have a projector in it.

On the night

One of our operators, on site, for the whole show

A pre-programmed show still needs someone watching it — for weather, for timing changes, for the one cue that needs to shift live because the MC ran long. That's a Lume Hire operator every time, not a rental company's driver. Pair projection with Resolume operation for a fully live-mixed visual set, or run it alongside our festoon and uplighting for a full site design.

Projection mapping, answered straight

Building facades, stage sets, marquee interiors, freestanding structures, even irregular surfaces like foliage or fabric. The honest limit is brightness versus ambient light — a facade lit up by streetlights needs a different projector spec than a blacked-out marquee, and we tell you that before you commit, not after the render looks great in a dark room.

Both. We can run existing content you supply, or build it from scratch — including custom 3D pre-visualisation so you see the mapped result before a single fixture ships.

One of our own operators, not a subcontractor we met last week. We run Resolume and TouchDesigner day to day, which is the difference between a cue landing on time and a laptop crash mid-show.

For a facade or architectural map, at least 3-4 weeks — we need site measurements and reference photos to build an accurate model before content production starts. For a simpler stage or marquee surface, 2 weeks is workable.

Keep reading

Projection & visuals, in depth

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